Saturday, May 18, 2013

I am Ivan (most of the time)

Meet 27-year-old Ivan Perez, a guidance counselor and Yankees fan by day and drag queen by night. I am Ivan (most of the time) is a shorter version of a work-in-progress. 

The longer version expects to include Ivan in performance at Mamajuana Dyckman on Monday, May 27, 2013 (NEW DATE) as well as a candid look at growing up and living in Washington Heights.

 Enjoy!


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Monday, May 13, 2013

Prada and Prejudice: My Adventures in Couture


My laborious brown handbag/suitcase/overnight bag with its padded zippered compartments came to me as a couture item from The Container Store, manufactured by Lug and once heartily endorsed by Oprah. It carries the catchy name of Puddle Jumper although mine is packed to the gills and so heavy I’d land, as the Brits across the pond would say, flat on my arse after making a hearty namesake attempt. 

With this bag in hand or rather shouldered, I entered the Prada store in Soho. Why? you ask. For a woman whose style evolution requires a quizzical look plus imagination once you get past the birdcage dangling from her neck, it was certainly out of context. By why not?



Standing on the corner of Prince and Broadway in Soho and sandwiched between endless food carts and gaggles of tourists dressed rather haphazardly, I doubt that anyone shopping at Prada devours much more than a morsel from these wheeled diners, let alone be seen near one. Dresses from the upcoming remake of The Great Gatsby starring Leonardo –You-Know-Who drew me in. It was no longer just a store but an expedition to a museum of style.


Women applauded when I said that I had gained entrance to the hallowed grotto of Prada. After giving this some consideration, I’m thinking that it just may go back to that primal fear of not being good looking enough or thin enough and that we could be rejected. But confidence and nerve go a long way. My biggest fear was that security would wave me away as I staggered in under the weight of my bag. After taking a deep breath, I pulled the door open and cheerfully announced, “Hello! I’m in the neighborhood and came to see the The Great Gatsby costumes and look around.” 



Perfectly coiffed, thin, and dressed in sophisticated black but not overdone, a saleswoman pleasantly pointed out that the exhibit was down the steps and that I was welcome to look around. She looked me in the eye, which means she missed the pen and grape fruit juice stains. Considering the other two tourists there, I was as sophisticated as Holly Golightly. One pudgy woman huddled in a corner next to a mannequin, chatting on her cell phone. A young woman, wearing an outfit that looked like several wrinkled valances sewn together paired with cowboy boots, oily brown hair and bangs, looked confused. Walking down the steps to the bottom and looking up at the mannequins, well, the craftsmanship of Miuccia Prada was stunning, with meticulous details and beadwork.

Saleswomen and men politely eyed my look, which was definitely outré for Prada. Black pants, essential in any stylish women’s wardrobe, can be worn all year round. Mine were plucked from a neat pile of same black cotton pants at Kohl’s. So they were a little wrinkled—
ironing is not my forte—and the ends of the cuffs were a bit frayed from dragging on the sidewalk. Once I came home to find someone else’s candy wrapper hidden in the cuffs. Hopefully, no cicadas will find a home there once they emerge from the soils of the city. Perfectly matching and comfortable shoes hiding my burgeoning bunions were by Merrell so I could pick up and run on a dime, even though nothing costs a dime anymore except the pretzel sticks at Dichter's Pharmacy in Inwood.

A DKNY black tank top started out being tucked into my pants but somehow made its way above my waist. Adding to this swanky ensemble was a beige linen tunic circa Eileen Fisher with two large pockets filled with tissues for my allergies, a five-dollar bill, two pens, and a small notebook. I like pockets. But nothing is called beige anymore. The label called it something like Sahara sand or light stone or sidewalk cement. A streaky blue pen mark added a sense of mystery and the Rorschach style grape juice stain on the bottom hem added a bent of wild abandonment. A black cardigan by J. Crew tied it all together. So far, no one has commented on the pink embroidered circle that hides a hole in the pocket. Martha Stewart approves, since she gave me the idea from her magazine. And, yes, there’s more. A brown Cole Haan jacket that I’m still trying to close was tossed over my look for the finishing touch. Snap!



Thankfully, I didn’t clash with mannequins adorned with costumes, shoes, and jewelry designed for the movie. The mannequins were so thin that they looked hungry. They’re more dazzling than me but in a more standoffish way. Of course, they ARE a size two and I’m so sure they can be seen if I’m parked in front of them. But no one in the store was there to see moi.

Security men in dark suits peered over the balcony and stood on the outskirts of the exhibit. One directed tourists like me to an alcove where a video was being played. Catherine Martin, the costume designer for the movie, spoke about Prada clothing as clips from the movie framed her interview. I would prefer to see the cutters and sewers and hemmers and fitters at work. It was really a commercial for the movie but you could discover the sense and sensibility of Prada’s 100-year-old style and how the fashion house adapted vintage styles and made it their own.

Seguing over to the retail side of the store, I discovered that there were no price tags on clothing, shoes, purses, jewelry and sunglasses. It goes back to that old axiom that if you have to ask, you can’t afford it. A dozen of their exquisitely made purses could fit into my bag, although at this point there’s not an inch for another darn thing.


Let’s face it. I’m not the Prada demographic. Friends of mine think that I’m closer to a size ten but it depends. From each of my four sides, I look thinner. But the dimensions of my circumference do me in.

No one eyed me suspiciously as I moved around the corridors of clothing with just a few items of clothing on each rack. If they did eye me, either in person or via security camera, it was done discreetly, certainly the hallmark of good taste. A salesman wore a sharp dark gray shirt and I could see over the top of his head. I approached him thoughtfully, but he was too well trained to be startled.


“I’m just curious,” I announced, placing my suitcase over my stomach so that

my tunic didn’t look so, well, beige. “What’s the largest size that you carry?”

“We go up to about a 46,” he replied, explaining that this European size translates into an American size 10 or a 12 depending on the cut. And the cut at Prada is quite slim.




“Hmm,” I said, thoughtfully. “What would someone like me do? I mean, I’m a comfortable 12 but usually veer into the 14 and sometimes 16 range. Would I have to lose weight?” I deftly suggested.


“I can’t say that to the customer,” he said, looking around nervously.


“Oh, I don’t mind,” I reassured him with a hearty midwesterness that belied my New York City roots. Cawfee and chawcolate, anyone?


He deftly suggested back: “That could be an incentive if you’d like to wear this line.”


I wasn’t ready to give up just yet.“Perhaps. But would your seamstress or tailor be able to make any adjustments?”


He didn’t miss a beat. “We don’t do special orders.”

Do you believe that? If Nicole Kidman were 150 pounds heavier, they wouldn’t leave her hanging by a thread.


I thanked him and continued to peruse through the racks, gently stroking some sort of hairy stole that WOULD fit and a clear crystal dress that was an outtake from The Great Gatsby. Special order, my fat tuchus. Even if I lost 60 pounds, my hipbones would have to be removed for the garment to glide on. Stunning s
hoes look like they belong in a museum. Shoes with six inches heels or higher look delicate and chic on a size six. A size nine on feet with the previously mentioned bunions connected with someone whose balance is jeopardized by linoleum could be dangerous.

The only item that would fit would be a pair of sunglasses. I thought of Paul Gallico’s novel, Mrs. ‘Arris Goes to Paris, the story of a British cleaning lady who scrimps and saves every penny for a Dior gown. That’s an idea. Maybe I could start a Kickstarter or Indigogo campaign. But I’m much too practical for that. I could go couture for my next book signing and see if they, meaning Prada or Bergdorf’s, would loan me a dress just like they offer celebrities and other women who can afford it but don’t pay for it.


Or like Mrs. ‘Arris, I could start saving now. But money isn’t the issue. The pastries and croque monsieur (I could eat two) at Francois Payard Bakery on Broadway and 58th Street are too good to pass up. At least until La Marina on Dyckman Street starts serving them again.


Prada will just have to wait.


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Sunday, May 05, 2013

Cat. No Hat. Oh, the things that go on in the subway!


The A train has its share of performers, from the agile teenage boys who shout “Showtime!” and set up a boombox for breakdancing and hit the ceiling with a startling kick, a parade of people begging for money in various states of dress with some shoeless and adorned with a perfume of the ages, rabid preachers, guitarists in sombreros and leather boots. . .they’ve become a staple of the ride.

The preachers are the most annoying as they shout to save us from salvation and a fiery ending. Apparently, we are all sinners. I’ve decided that the next time one shouts out for redemption in my subway car, I’m going to direct him to the next one with an impassioned plea: “Thank you but we’re all saved in this car. But look at those poor souls in the car next to us. They need to hear you. Look! They’re waving. I can hear them calling you. Better rush over!”

But there was no preacher on this Tuesday evening in May, about nine in the evening, An African-American man, maybe about 60 or so, dressed in a clean t-shirt and jeans and wearing sneakers, yelled into my ear. Not intentionally. He might not have seen me even though I stood next to him. You know how this goes.

“I’m sorry I have to yell but you have to hear me!”

I cringed and changed from the pole position to nearer the closed subway car door. Two men sitting on the sherbet orange seats smiled at me in sympathy. But they didn’t offer me their seats, it should be noted.

Another evening on the uptown A train.

“I’m a homeless veteran. . . a fire. . .wife and two children. . .I served this country. . .”

He walked up and down the car.

 “. . .need help. . .anything you can do. . .”

A chunky man sitting in a corner seat stood up, his face red, and pointed angrily. The diversion was startling.

“Shut up! Shut up!” he yelled. “I don’t want to hear this!”

By this time, I had crossed to the door on the opposite side of the train and ended up in the direct path of these two.

The man asking for help walked over and yelled back, standing by the pole which was swiftly vacated.

“Who the fuck do you think you are? I’m going to light you up! Mother fucker. I’m from Bed-Stuy. Who do you think you're talking to!"

"I don't want to hear this!" the other man shouted back. "You're lying!"

The man requesting assistance raised his hands and his fists. The other man sat down.

A woman who appeared to be his wife came between them and gently pushed her husband back.

Was this going to be a rumble? What should we do? We didn’t move, fixated on the two combatants. No one stepped in to break it up, even though there were men, younger and older, bigger and stronger. 

“C’mon. Let’s go,” the wife coaxed. 

There was no place to go because we were moving between 59th and 125th Streets, the longest part of the trip.

“It isn’t worth it,” I said to her in a low voice, envisioning the two of them locked up in Central Booking for a fight they hadn’t expected and leaving their two children without parents for at least a night.  I couldn’t think of anything diplomatic or even humorous to say, because, like my fellow travelers, I was afraid that the anger would take a turn and be directed at me.

The two men continued.

“I don’t want to hear this!” the second man shouted again, his face turning red. He was a doughy guy who didn’t seem to present much of an opponent, even for me. Our fellow passengers looked alarmed and one woman stood up and nervously stuffed some money into the beggar’s hand, perhaps hoping he would go away. 

“I’m going to light you up!” he shouted. “I’m a Viet Nam vet!I served this country.”

He pulled out his wallet and held up a card that not one us could read, but I imagined it was an identification card attesting to his status.

“I have lung cancer. I’m gonna light you up!”

A younger African-American man walked over and the two men fist bumped.

The wife noted, “He's’ going to help you out,” she said loudly to her husband.

But the indignity of having to beg strangers for money coupled with a challenge apparently was more than he could bear. His wife pushed him out the door when the train finally arrived into the station. He cursed at his new enemy as the train pulled away.

The crowd still looked nervous, perplexed at the exchange and what would or could happen next. The antagonizer still sat with us when the door closed and the A train left the station.

“Hey, everyone!” I called out from my spot facing the crowd, hoping to lighten the mood. “I have cat pictures!”

I held up my cellphone, a headshot of a contemplative white cat named George looking into the camera, one of three white house cats who lived with a friend in Philadelphia.

My train companions looked startled at first and then smiled and laughed. The man sitting in the corner had no reaction. Just my luck, I thought to myself, he’s probably getting out at my stop.

I was right.

When the train stopped at Dyckman Street, he stood up to get out.  I walked behind him as he went right and I went left. Up the stairs and onto the street.

George the cat lives on as a screen shot on my computer and now on the Internet, for all to see. And that is that.


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Tuesday, April 23, 2013

World Book Night Comes to the Dyckman Houses

Spreading the love of reading to residents of the Dyckman Houses, a public housing development located in Inwood, my neighborhood in upper Manhattan.

World Book Night takes place all over the country, with books given out to people who might not ordinarily pick up a book. Inwood and Washington Heights has two libraries but no formal bookstore, with the exception of a tiny Barnes & Noble outpost near 168th Street.

This year, Sandra Cisnero's book, The House on Mango Street, was given out, in Spanish. Kindred, a novel by Octavia Butler, was given out last year and was widely appreciated by the residents of the Dyckman Houses. Many of the residents having lunch at the Senior Center speak Spanish and they were delighted to have a book. My Spanish was translated into Spanish and we look forward to seeing each other again next year.

You, too, can participate! Like World Book USA's Facebook page for updates and sign up on the website at http://www.us.worldbooknight.org

Here are a few photos from our neighbors who enjoyed the books and began reading right away!

Photos taken with an iPhone 4s; permission given to use photos.




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Sunday, April 07, 2013

It's about time - Walter Spier

The latest installment of It's about time: Conversations with New Yorkers about time commemorates Holocaust Remembrance Day (Yom HaShoah) with an interview with survivor Walter Spier of Washington Heights. 

A moving conversation about the passage of time and his experiences in concentration camps and on a death march, where only a few hundred out of several thousand men survived. Mr. Spier also recounts the story of how an S.S. officer saved his life and how he, in turn, saved his.





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Monday, March 18, 2013

Death, Interrupted


In early March, an 87-year-old woman collapsed in a retirement home in Bakersfield, California. A staff member dialed 911, the telephone number one calls to request help, and then she refused to offer assistance to the dying woman. The emergency operator pleaded with her to give CPR or to find another person who could. The woman died. Outraged members of the media, medical ethicists, the public, and my friends debated the ethical and moral responsibilities of helping to save a life while the woman's family said that they were satisfied. Whatever this means.

It made me think back to two profound and complicated experiences with elderly relatives, both in their nineties at the time, and the end of their lives. One, tragically, was filled with forgotten forms that brought my great-aunt back to life several times. The second, the passing of her sister, was interrupted by her oldest grandchild who walked in during her very last hour.

My great-aunt Esther lived as a relic from another era, one of those elderly Bronx women you’d see walking slowly with a cane, wearing a faded housedress, pink sweater, and old knitted cap and standing out as a stranger in a neighborhood that changed faces a long time ago. The world outside of her University Avenue apartment shifted not so subtly, but she didn’t. Plastic slipcovers, wooden furniture from the fifties, vintage dishes and clothing, an old television with rabbit ears. . .visiting her was like viewing an exhibit preserved at the American Museum of Natural History.

Her building neighbors spoke Spanish, not Greek and Hebrew, and they left the hallways perfumed with the scents of chicken and rice and beans and fried fish. One by one or two by two, kosher butchers in the Kingsbridge area closed, and she traveled further and further, sometimes taking three buses for a round of hot dogs or chicken. Auntie Esther stayed her course until she fell and broke her hip. She decided how she was going to live and most stubbornly, how she would die.

Her neighbor telephoned me when she fell in her apartment and luckily and thankfully, I happened to be home. Auntie Esther didn’t call the generation between us. My mother was living in San Francisco and my aunt was living in Co-Op City but I lived across the Fordham Bridge in upper Manhattan, visiting every so often and telephoning to check in and say hello.

The second oldest of five Greek sisters, Auntie Esther had been divorced once, married twice, and was now a widow. She had no children. Her oldest sister had married a man in the film business, moved to Harlem, and died in the 1918 flu epidemic. The next was Stema, who died of breast cancer more than 20 years ago. The youngest, Mollie, lived in a nursing home in Connecticut and didn’t remember anyone, even though Auntie Esther insisted that she did. Mollie had Alzheimer’s. My grandmother lived in another part of the Bronx and was in her early eighties. So there I was.

Auntie Esther was 88 and I was 28. I knew almost nothing about growing up and growing old, only that it happened to other people.

My writing and photography career was in full swing. But After Auntie Esther’s telephone call which led her — and me — to two hospitals, a rehab facility, and then home and back again, I went from deadlines, knockouts, hits, champions, and home runs to hospital procedures, high blood pressure, elder care law, diuretics, physical therapy, broken hips, pneumonia, wills, assisted living, health insurance, Medicare, social services for the elderly, home health care, feeding tubes, ventilators, social workers, living wills, nursing homes, funeral homes, plain pine boxes.

The rest of my family remained in the background, a polite way to say that they weren't interested or didn’t know how to be. Almost every member of my circle of friends, colleagues, and acquaintances hadn’t yet encountered aging and ill parents or grandparents or to put it bluntly, the death of a family member. With perplexed sympathies and little support except for “You’re doing a nice thing," it was a solitary endeavor of love and obligation for almost six years. A geriatric caseworker filled some of my roles for about a year, until Auntie Esther didn’t like her anymore.

While she recuperated from surgery, I attempted to organize, paint, and clean her apartment, and ensured that her medical paperwork was in order. Auntie Esther knew what she wanted. When it was her time, she did not wish to be resuscitated.

“No. Just let me go,” she said.

She repeated herself so that I would hear, even though she was the one with the buzzing hearing aids.

She signed a DNR form in the hospital, which meant that if any measures were needed to keep her alive, she didn’t want them.

After several years living at home, it became clear that that she couldn’t stay in her apartment. Frustrated, fearful, and confused at times, she made hysterical telephone calls to 911, telling the operator to get her out of here. The very patient home health care worker we hired was drained, Auntie Esther was in and out of the hospital, and I was on the verge of collapse. During her latest hospital stay, I discovered how cruel it was to be in the hospital alone. A process called “dumping” meant that a patient without family was transferred to a waiting nursing home so that the bed was opened up for the next casualty of age. A representative from the New York City Department for the Aging explained how it worked. I telephoned Auntie Esther’s social worker at the hospital and demanded an answer.

“Don’t I have a say in this?” I asked. “Why did no one call me? My name is on the paperwork and I’ve been there to visit. This isn’t going to happen.”

The social worker seemed taken aback, as if I were ungrateful for her services. I called the New York Health and Hospitals Corporation who called the hospital and well, it gave me an extra day or two. The social worker, annoyed, offered two choices of nursing homes and I visited the original one first. A room filled with elderly women wearing pink acrylic sweaters sat lined up in front of a television that wasn’t turned out. The air smelled like urine. I whispered to a man mopping the floors.

“Would you send your mother here?”

He shook his head. 

Nursing home number two wasn’t far from where she lived. I was running out of time before she would be discharged, and thankfully, it seemed much less depressing and with better services. Paperwork was filled out and so was a DNR form.

Auntie Esther was now 94. She hated the nursing home, hated her roommate, hated the food, and hated me. I was drained mentally and physically from rounds of meetings and telephone calls, emptying and cleaning her apartment, moving her in to the nursing home, traveling, negotiating, being yelled out, bureaucracy, and paperwork while continuing to work as a journalist.

She was living in the nursing home for less than a year when the telephone rang. She had been taken to the hospital. I asked about the DNR form. No one could find it. I dutifully went in and filled out the paperwork with her again. Auntie Esther was angrier than ever that her wishes had not been followed. I shook my head. I had no answers.

I spoke with the nurse:  It should be in her chart. Was it a mistake? Did they lose her paperwork? Was this the mistake of a newer employee? Auntie Esther continued to yell, her hearing aids not picking up that I had nothing left but apologies. I remember walking away out of frustration. Nothing could go right.

Several weeks later, the telephone rang again. Again, she was resuscitated. I dutifully trudged to the nursing home, bracing for the barrage.

“Why did you do this?” Auntie Esther screamed at me.

I shook my head. My parting mental photograph is of her sitting in a wheelchair yelling at me as I retreated. The form was filled out again.

I was almost down for the count. And the phone rang again. She was taken to the hospital. And resuscitated once again. Auntie Esther sat up in the hospital bed with a large plastic tube in her mouth, her eyes unblinking in anger. If she could have yelled at me, I’m sure she would have. It was like a horror movie.

The doctor informed me that her kidneys were failing, and he spoke about withholding food, what he could and couldn’t do. I made calls to medical ethicists so that I could make a decision and it left me more confused. I had no idea of what to do, of the capabilities of the human body, what dignity she had left. It all seemed so unfair. And then the phone rang.

This time, she had her wish.

******

Auntie Esther’s younger sister was my grandmother, and she had a DNR form on file with her nursing home. My aunt, my mother’s sister, took responsibility for her care and moved her to Brooklyn to be closer to her. I visited Nonie several times a month, sitting with her in her room or in the hallway when she sat quietly with the others watching reruns of Zena, the Warrior Princess. Taking a deep breath, I would run into the nursing home, ready to greet her like when I was a kid and she arrived with shopping bags of food and gifts. She would practically topple over from my enthusiasm and endless questions, sighing, “God help your grandmother.” But she expected no less. I almost expected to see her like this once again.

“What do you think about?” I asked her during my visits, as we sat together.

“What do you think?” she retorted. “I’m waiting to die.”

After these times, before I headed to the subway, I would lock myself in the visitor’s ladies room and cry. But I learned to be careful. Once, I accidentally pulled the emergency call string reaching for a wad of toilet paper to dry my eyes. A kindly staff member checked to see what the emergency was.

“Something in my eye,” I called out through the door.  

And then one afternoon, it happened. Bursting into the room, I called out “Nonie! It’s—“ I stopped. Shades were down, lights were off, and the air was filled with the ghastly raspy sound from an Edgar Allen Poe short story. It was ancient rattle of death.

Nonie lay in her bed, her eyes closed, and looked peaceful. Touching her arms and smoothing her hair, I shook her gently by the shoulder. She didn’t react. So this is what happens in nursing homes, I thought. They leave you to die. Only I had interrupted the plan.

I called my aunt from the phone next to the bed and she instructed me to call the doctor on duty. The doctor said there wasn’t much they could do. She didn’t seem too concerned. I panicked. Didn’t anyone care? I asked her to call 911. What they could do, I didn’t know. The ambulance came. And instead of dying alone and perhaps peacefully, we hauled off to the local hospital in an ambulance, lights flashing and sirens blaring, hitting every bump like the Cyclone at Coney Island. So dizzy was I after the ride that I thought that I, too, might have to be admitted.

Nonie was wheeled into into the emergency room while I hung onto walls and chairs until the dizziness subsided. Just as I began a conversation with a doctor, the emergency room was cleared to make way for a prisoner in handcuffs, wheeled in, an arrest from the local precinct.

I was moved into a waiting area for my safety.

And then she died.

There’s no morale to the stories here except that nothing ever goes according to plan, including dying. With Auntie Esther, we diligently filled out paperwork and instructions again and again and again. And with my grandmother, all was going according to some plan, I suppose.

In the case of my great-aunt, DNR forms had clearly been filled out and should have been followed. Auntie Esther was in agony. Perhaps the motive for not finding the forms was more sinister: She was a paying customer, so to speak, and every day of residence meant income for the nursing home. But I don’t know this for sure.

And with my grandmother, the only thing that interrupted her exit from this world was me. But she would have expected that. She said that I never gave her any peace. Well, she was right. Even at the end.



Auntie Esther's life is chronicled in an essay, The Bronx is Burning while Nonie's is included in A Spoonful of Olive Oil, both on this blog. 


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